With her tongue firmly in her cheek, Phair makes no bones about her ambitions and calls out her peers for not being honest enough to make the same confession. 2014 Preview SONG TIME Smoke. Includes Album Cover, Release Year, and User Reviews. Glory. With towering hooks and even bigger choruses, Phair rises to the occasion, even as she’s calling out indecisive lovers. It's plausible. ‘Giving It All To You’ is the record’s highlight and sees Phair deliver a soaring, Foo Fighters-sized anthem. Lyrics to 'Elvis Song' by Liz Phair. Exiled in adulthood, she confronts her younger self and asks if she made the right choices. Growing out of the American underground of the late '80s, Liz Phair fused lo-fi indie rock production techniques with the sensibility and structure of classic singer/songwriters. Reuniting with producer Brad Wood, who was behind her string of classics – Exile In Guyville, Whip-Smart and Whitechocolatespaceegg – ‘Good Side’ offered a tantalising preview of Phair’s long-awaited seventh album. Personally, I am a big fan of Somebody's Miracle, although I know a lot of people don't like Liz's later stuff, damning those albums as too commercial. While her debut album is still considered gospel to a whole generation of fans, Phair, born on 17 April 1967, went on to release five more albums, maintaining her subversive streak and remaking pop in her own image. On the blunt anthem ‘F__k And Run’ she laments the demise of “all that stupid old s__t/Like letters and sodas” of courtship, as she lets her “cool girl” façade slip. Top Lyrics of 2011. Features Song Lyrics for Liz Phair's Funstyle album. Speaking of this album, Phair posted the following message on her website: 3:38 ▸ 8 Beat Is Up 3:20 ▸ 9 And He Slayed Her 3:36 ▸ 10 Satisfied 3:34 ▸ 11 U Hate It 4:36 And it's true--what Funstyle lacks in fuck-all-y'all formal purity it possesses in the flickers of songcraft she can't shake. No, it's mostly normal songs; "Bollywood" is not really a representative track. One of the more raucous moments on her debut album, its distorted guitars are outmatched only by her disgust. Another lo-fi gem from Whitechocolatespaceegg, ‘Perfect World’ sees Phair striving to be someone else, someone “cool, tall, vulnerable, and luscious”. [album cover for Funstyle] Are there any actual songs on this album, or is it all like [image of Liz Phair posing like Iggy Azalea] that?! " Its refrain goes, "I think I'm a genius/ You're being a peni-us... colada, that is.". 3:10 PREVIEW Bollywood. Track listing ▸ 1 Smoke 3:12 ▸ 2 Bollywood 2:36 ▸ 3 You Should Know Me 2:56 ▸ 4 Miss September 4:26 ▸ 5 My My 3:32 ▸ 6 Oh, Bangladesh 4:39 ▸ 7 Bang! … Even amid the Matrix-provided pop production of her self-titled album, Phair retains her feminist streak, asking if she can still be idolised if she’s an “average everyday sane psycho” who takes out the trash over fuzzed-out guitars. Top Lyrics of 2009. But you wouldn’t know that from the album opener, a cynical meet-cute that’s just Phair and a plinking piano, in which she recalls a one-night stand to the tune of ‘Chopsticks’. Liz Phair's songs: Listen to songs by Liz Phair on Myspace, Stream Free Online Music by Liz Phair On October 8, 2019, Phair shared "Good Side," a song from these sessions. As the lone radio single from Exile In Guyville, ‘Never Said’ served as Phair’s introduction to the world. When “selling out” and “authenticity” were still terms that could make or break you in the indie world, Phair was already ahead of the curve with her mantra “It’s nice to be liked/But it’s better by far to get paid”. Liz Phair Encourages Voting in New Voice Tweet Song Althea Legaspi 9/17/2020. Even beyond the ghastly FruityLoops-and-varispeed numbers, though, there are some more conventionally cruddy songs here, like "Satisfied", a Bryan Adams-level string of clichés: "I came, I saw, I kicked its ass/ I walked away and I never looked back/ I remember you when you held my hair/ As I puked, oh, everywhere". Liz Phair caused a commotion but its placid, 2005 sequel Somebody’s Miracle was so uneventful it passed largely unnoticed. Two things are immediately evident about those four songs. This fan favourite first appeared on Phair’s Girly-Sound demo tapes but didn’t see a proper release until it appeared as ‘Don’t Hold Your Breath (If I Ever Pay You Back)’ on a limited 2CD edition of Phair’s 2010 album, Funstyle, and later as part of the career-spanning Girly-Sound To Guyville boxset. ‘6’1”’ Phair may be diminutive in stature, but not in bravado, as she stares down her target on Exile In … It's one of the most sought-after Alternative Rock bootlegs. While many of her rarities, soundtrack cuts and two whole EPs’ worth of music are not on streaming services, many of the best Liz Phair songs are available and ripe for exploration. Like much of the album, it all sounds very insular as she quietly strums along, plotting out what a fantasy of “having it all” would entail. Help Me Mary. “Satisfied,” the second of these tracks, even sounds more like the pop she would have made at Capitol. Personally, I am a big fan of Somebody's Miracle, although I know a lot of people don't like Liz's later stuff, damning those albums as too commercial. ‘S__tloads Of Money’ originated from her Girly-Sound days, then later appeared on Whitechocolatespaceegg, with the same chorus but new verses. Explain It To Me. The only comparable album that comes to mind is Bob Dylan's 1970 double-middle-finger double-LP Self Portrait, on which he successfully alienated the audience that had been paying too much attention to him. Save my name, email, and website in this browser for the next time I comment. Whenever Exile In Guyville is reduced to shorthand, ‘Flower’, and its infamous “blowjob queen” declaration, is what’s most often invoked. Another Girly-Sound demo that made it onto her debut album, ‘Divorce Song’ has the same sprightly sound that all great road-trip songs possess, but with tragic results. On both Exile In Guyville and Whip-Smart, Phair emptied her coffers of ex-lovers and emotional baggage. "And He Slayed Her" has one terrific, furious line ("I mean, what kind of kid were you when you were a kid?/ What kind of man would do what you did?" 1. Actually, strip away the early-2000s ‘nu metal’ flavouring that was customary for radio rock at that time, and it’s 2003’s Liz Phair this album most resembles musically. And it's true--what Funstyle lacks in fuck-all-y'all formal purity it possesses in the flickers of songcraft she can't shake. While this brave persona breaks down over the course of the record, ‘6’1”’ never loses its punch. Let us know in the comments section, below. If you happened to hear a chorus of teenaged girls singing expletives at the top of their lungs in 1993 like they were singing an Air Supply anthem, you know who to blame. When she sings, “But when you said that I wasn’t worth talking to/I had to take your word on that,” it feels like a punch to the gut. Cinco de Mayo easily slides into my top five. At the very least, it's a shrewd way to lower expectations. Maybe Funstyle will be liberating for her; maybe, as with Self Portrait, her deck-clearing exercise will let her shake off aspects of the way she's understood that she finds burdensome. As the follow-up to her self-titled 2003 album , Somebody’s Miracle marked a (partial) return to form. With its long, extended instrumental intro of distorted guitars and crashing drums, it almost feels specially reserved for Phair’s loyal fanbase – which makes sense, considering the song had been gestating since 1999. What what what? She's kind of done that already. Don’t let the title fool you; there’s no twangy guitar on this Whip-Smart cut, it’s Phair going full shoegaze in a melancholic love song. Only when she’s 30,000 feet in the air does Phair realise how small her ambitions are, though her “circumstance is movie-size”. Even as her sound evolved, Liz Phair retained the same conversational quality to her voice and lyricism that makes ‘Polyester Bride’ one of the standouts on Whitechocolatespaceegg. Taking a leap into adulthood on Whitechocolatespaceegg, she also tried taking herself out of the narrative and tried on a few characters, creating vivid vignettes like ‘Uncle Alvarez’. Even in the 90s indie rock scene, sexual desires were mostly metaphorical expressions, so when Phair sang “I’ll f__k you and your minions, too,” it was like an audio assault on pop culture. Soap Star Joe. No matter where you stand on the Liz Phair discography divide, ‘Why Can’t I?’ is an undeniable earworm that introduced the formidable singer-songwriter to an entirely new generation of fans. In 1993, Liz Phair broke onto the scene with her revelatory debut album, Exile In Guyville, which both staked her place in the indie rock scene while also giving a giant finger to the rock establishment. Elsewhere on "Funstyle," Phair sends more confusing mixed signals, in material that intrigues on a cut-by-cut basis but doesn't quite hang together as a complete work. It's one of Funstyle's four key tracks, all in a similar prefab-beats-and-wacky-voices vein; another is "U Hate It", a patchwork thing (with fake Prince harmonies) about how much everybody's going to think her record sucks, unless it's a hit, in which case they'll pretend they all loved her in the first place and her success was their doing. Though spare in its lyricism, ‘Never Said’ sounds tailor-made for college radio, with its angsty grunge guitars and multitrack harmonies. After this, whatever she does next can only be a pleasant surprise. Dance Of The Seven Veils. Phair spends the majority of Exile In Guyville lambasting the sexual politics of a generation, yet halfway through the album, she flips positions, taking the “if you can’t beat ’em, join ’em” route and admitting to working the system when she needs to: “Because I take full advantage of every man I meet”, she sings, adding, “I get away almost every day/With what the girls call, the girls call/What the girls call, the girls call murder,” she sings over the manic strumming of her guitar. “Fuck And Run” (from Exile In Guyville, 1993) “Fuck And Run” is the quintessential Phair single; it … Fania Records: How A New York Label Took Salsa To The World, Pride Of The Opry: Charley Pride Makes Musical And Cultural History, ‘Here Come The Warm Jets’: Bathing In Brian Eno’s Genius. Much of Phair’s DIY background informed her guitar playing and signature vocals, but it also helped her develop her own idiosyncratic style of phrasing, as heard Whip-Smart’s closing kiss-off. The lead single off her 2003 self-titled album, ‘Why Can’t I?’ perfectly captures the first rush of love, backed by ethereal guitar reverb. With its snarling guitars and propulsive drums, ‘Jealousy’ found Phair graduating from her old garage-rock days. Billboard Hot 100. She released her latest batch of songs on the Internet in July 2010. Four years after Whip-Smart, Phair embraced family life and headed in a sunnier direction on Whitechocolatespaceegg. The track streaming at her site, "Bollywood", is bhangra-rap about how she ended up doing TV scores out of broke desperation, featuring a bunch of "funny" pitch-altered voices imitating music-biz gladhanders ripping her off. Okay, don't worry. The sub-Jewel alt-country move? Lyrics. Suppressing her unique songwriting gifts to sound like a lesser Sheryl Crow clone? Play on Napster. It’s not the first rush of love, nor its cruel decay, but the familiar interim as Phair insists she won’t “decorate my love” over and over until the song fades away. The … There’s no shortage of break-up songs in popular music, but not many that detail the fallout that follows. Liz Phair has returned from a five-year musical hiatus with Funstyle, an album that possesses a buttload of ammunition against the music industry and her ex-label Capitol Records.Phair … As Phair’s poppier direction divided fans, most could acknowledge that her self-titled album featured some of her strongest vocal performances. But before the Rolling Stone covers and countless thinkpieces, Phair was recording under the moniker Girly-Sound, in her suburban bedroom. Liz was back to her old self-deprecating ways, but sonically the album took some detours, from the country twang of ‘Got My Own Thing’ to the Rolling Stones-leaning ‘Why I Lie’. Phair brought her brand of sexual candour to the charts when she got her first taste of mainstream success with ‘Supernova’, from her sophomore record, Whip-Smart. Three songs all positioned as the record’s final tracks and all hinting at the breaking apart of Phair’s record contract is too much. Universally adored by critics, the album established Phair as a confident songwriter who could craft individualistic pop songs with lyrical candour and sharp narrative detail. referencing Funstyle, 2xCD, Album, RSV 028 Savaged by a lot of critics, especially younger Pitchfork-esque writers who found it profoundly uncool. It has some rough edges, but it's far more interesting than the two prior albums, both the industry's idea of what a Liz Phair … She ca n't shake she ca n't shake songs, she confronts her younger self and asks if made. Be released in the comments section, liz phair funstyle songs in July 2010 its refrain goes, `` I think I a! 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